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Whiskey for the Lady + Good Time Charley + Kelly Hunt

December 30, 2021 @ 8:00 pm - 1:00 am


Whiskey for the Lady + Good Time Charley + Kelly Hunt

Buy tickets HERE

$12 ADV // $15 DOS

Whiskey for the Lady


On a fall evening in 2011, Phil Craven decided to join the bluegrass resurgence and bought his very first mandolin in a sale on our nation’s holiest of holidays, Black Friday. He called over bassist Brad “Animal” Price and banjo player Ricky Deal, who brought with him brother and sister duo Robbie and Mallory Edson on guitar and fiddle. It was this unlikely combination of personalities on the outskirts of Kansas City who formed a unique sound that can only be described as “gypsy punk thrashgrass.”

What started as a basement jam rapidly turned into a full time gig. Within two years, the band went from playing hometown bar gigs to landing slots on regional festival stages. They released their first album “Too Many F Holes” in 2014 with Frank Bower taking over on guitar and the addition of Ike Goletz on drums. They have been blessed to share the stage with some of their biggest inspirations, including Split Lip Rayfield, Dirtfoot, Mountain Sprout, and Useful Jenkins.

2015 brought the unexpected deaths of founding members Price and Deal. Zach Bozeman – Animal’s son and protege – officially took the reigns on bass and weeks later the band, called “the most resilient band in bluegrass,” came back to stage in Winfield’s campground. This journey was inspiration for WFTL’s 2018 sophomore album “Passing Times”. The new album carries the weight of grief without losing the energy, quirky storytelling, and humor in Craven’s lyrics, and also features fresh songwriting from the rest of the band.

Whiskey for the Lady’s intense stage performance continues to bend genres and melt minds. From festival set to porch session, the band’s unique roots sound and determination delivers a refreshing energy to the Midwest folk scene and an unforgettable live experience that you don’t want to miss!

Good Time Charley


Good Time Charley can be described as a menagerie of Folk, Americana, and Bluegrass with a hint of Ragtime.  Many of their songs are written about actual events and characters with a story to tell.  Seeing them live is bound to elicit a jaunty, fun experience.  No doubt, a Good Time.

Kelly Hunt


On the walls of any local used music shop there hangs a gallery of mysteries. Picked up and handed down across the decades, each instrument contains the imprints and stories of those who have played it before, most of which remain untold. For Kansas City-based songwriter Kelly Hunt the most intriguing of these stories is the origin of her anonymous calfskin tenor banjo. “I really wasn’t looking for it,” she says, “but I opened up the case and it said ‘This banjo was played by a man named Ira Tamm in his dog and pony show from 1920 to 1935.’ I strummed it and said ‘This is unlike anything I’ve ever heard.’ People often think of the banjo as being rather brash and tinny – loud and kind of grating – but this was so warm and mellow, with an almost harp-like quality to it, very soulful” – apt words for the Memphis native’s debut album, Even The Sparrow, which was released in May 2019 and nominated for the International Folk Music Awards “2019 Album of the Year.”

The daughter of an opera singer and a saxophonist, Kelly Hunt was raised in Memphis, TN and grew up performing other people’s works through piano lessons, singing in choirs, and performing theater. “It was a very creative, artistic household,” says Hunt. During her teenage years, influenced by musical inspirations as diverse as Norah Jones, Rachmaninov, and Joni Mitchell, she began writing her own songs on the piano as a creative outlet. After being introduced to the banjo in college while studying French and visual arts, Hunt began to develop her own improvised style of playing, combining old-time picking styles with the percussive origins of the instrument. “I’m self-taught, I just started letting the songs dictate what needed to be there,” she says. “I heard a rhythm in a song that I wanted to execute, so I figured out how to do it on the drum head while still being able to articulate certain notes in one motion.” After college, Hunt followed a rambling path through various career pursuits including farming, traditional French breadmaking, and graphic design, all the while making music as a private endeavor. “I wanted to get serious about a responsible career choice, but music kept bubbling up. I was writing a lot and playing a lot and started to not be satisfied just playing to the walls of my room.”

After moving to Kansas City and discovering her mysterious Depression-era tenor banjo, Hunt began recording Even The Sparrow in Kansas City alongside collaborator Stas’ Heaney and engineer Kelly Werts. “It took almost two years to record,” she says, “learning how to let the songs dictate the production.” Having finally come to light, the album displays Hunt’s penchant for storytelling and intriguing arrangement, as researched and complex as they are memorable, punctuated by her articulate melodies and a well-enunciated and creative command of lyrical delivery infused with deft emotional communication. While reminiscent of modern traditionalists such as Gillian Welch–a number of her songs even borrow titles and phrasing from traditional American music (“Back to Dixie,” “Gloryland”)–Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre, à la Anais Mitchell and Patty Griffin. In “Men of Blue & Grey,” what begins as a Reconstruction-era ballad about the repurposing of Civil War glass plate negatives in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of violence. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics of forgiveness and freedom, evoking the ideas of Søren Kierkegaard and Walt Whitman.

As for the original owner of Kelly Hunt’s mysterious tenor banjo, not much is known. “I’ve never been able to find anything about Ira Tamm,” she says, “I think he just had a humble little traveling show.” What’s clear is that the itinerant performer laid down his banjo at the height of the Great Depression, almost eighty years before it would be picked up by Hunt. “That banjo has stories. I wish I knew them all,” says Hunt, though the banjo’s most intriguing story may just be beginning with Even The Sparrow. “The marks of Ira’s hands are still in the calfskin head, so I can see where he played and left his mark,” she says. “Now my own marks are there too, in different places, like a kind of portrait.”

Production is currently underway on Kelly’s sophomore album “Ozark Symphony,” produced by Dirk Powell at his Cypress House Studio in St. Martinville, LA.

Full calendar of Westport Saloon shows HERE.

Whiskey for the Lady + Good Time Charley + Kelly Hunt

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Westport Saloon
4112 Pennsylvania Ave
Kansas City, MO 64111 United States
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